2.jpg
RITUALS, 
BLUE,
 
OF THE SKY


 
2.jpg
RITUALS, 
BLUE,
 
OF THE SKY


 
2019
2018
2017
2016
2015
2015

L E N N Y   R É B É R É

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

2019
2018
2017
2012 - Border
2016
2014 - Variations
2015 - Landscapes
2015
2013 - Spaces
Vestiges, 2015, charcoal and pencil on paper, 80 x 115 cm
Vestiges, 2015, charcoal and pencil on paper, 80 x 115 cm
Untitled, 2015, charcoal and pencil on paper, 40 x 60 cm
Untitled, 2015, charcoal and pencil on paper, 40 x 60 cm
Untitled, 2015, charcoal and pencil on paper, 80 x 120 cm
Untitled, 2015, charcoal and pencil on paper, 80 x 120 cm
Untitled, 2015, charcoal and pencil on paper, 70 x 50 cm
Untitled, 2015, charcoal and pencil on paper, 70 x 50 cm
Night-club, 2015, charcoal and pencil on paper, 80 x 117 cm
Night-club, 2015, charcoal and pencil on paper, 80 x 117 cm
Night -club 2, 2015, charcoal and pencil on paper, 40 x 60 cm
Night -club 2, 2015, charcoal and pencil on paper, 40 x 60 cm
Midnight, 2015, charcoal and pencil on canvas, 114 x 195 cm
Midnight, 2015, charcoal and pencil on canvas, 114 x 195 cm
Dame blanche, 2015, charcoal and pencil on canvas, 150 x 150 cm
Dame blanche, 2015, charcoal and pencil on canvas, 150 x 150 cm
Workshop, 2015, charcoal and pencil on paper, 70 x 100 cm
Workshop, 2015, charcoal and pencil on paper, 70 x 100 cm
Untitled, 2015, charcoal and pencil on paper, 160 x 120 cm
Untitled, 2015, charcoal and pencil on paper, 160 x 120 cm
Metro, 2015, charcoal and pencil on paper, 80 x 120 cm
Metro, 2015, charcoal and pencil on paper, 80 x 120 cm
Mascots, 2015, charcoal and pencil on paper, 120 x 120 cm
Mascots, 2015, charcoal and pencil on paper, 120 x 120 cm
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