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RITUALS, 
BLUE,
 
OF THE SKY


 
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RITUALS, 
BLUE,
 
OF THE SKY


 
2019
2018
2017
2016
2015
2015

L E N N Y   R É B É R É

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO

 

"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during  his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance  performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.

​

Thomas Fort - 2021 - "Vertigo" (excerpt)

VERTIGO > 2021
VERTIGO
GALAXY
GALAXY > 2019
INFRAS
INFRAS > 2019
FRAGMENTS
FRAGMENTS > 2017
ICI & LÀ
ICI & LÀ > 2016
EXHIBIT
EXHIBIT > 2015
LES PALACES
LES PALACES TEMPORAIRES > 2016
VERRES
VERRES > 2016 - 2021
VIDEOS
VIDEOS > 2015 - 2021
2021
2020
2019
2018
2017
2016
2015
DESSINS
DESSINS > 2012 - 2020
PAINTINGS
PAINTINGS > 2015 / 2020
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