RITUALS,
BLUE,
OF THE SKY
RITUALS,
BLUE,
OF THE SKY
L E N N Y R É B É R É
VERTIGO
"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.
Thomas Fort - 2021 - "Vertigo" (excerpt)
VERTIGO
"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.
Thomas Fort - 2021 - "Vertigo" (excerpt)
VERTIGO
"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.
Thomas Fort - 2021 - "Vertigo" (excerpt)
VERTIGO
"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.
Thomas Fort - 2021 - "Vertigo" (excerpt)
VERTIGO
"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.
Thomas Fort - 2021 - "Vertigo" (excerpt)
VERTIGO
"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.
Thomas Fort - 2021 - "Vertigo" (excerpt)
VERTIGO
"Vertigo" instills in the heart of works or between them a seductive disturbance. Each image becomes a residue of a general fragmented and silent frame. For several years, Lenny Rébéré has built up a vast atlas in the form of a digital database on which thousands of images taken daily from the Internet are listed. If he draws some of his subjects from it, he completes here his selection of personal photographs taken during his holidays. This mixture underlines the porosity between micro-stories and collective memory in the visual writing of history. Landscapes, lascivious bodies, close-up faces or divers then appear like afterimages, concealing a strange familiarity. Unstable indices of the “information cloud” generated by globalization, where everything is a pretext to be processed and then archived, the artist leads each of his images to the threshold of their crystallization [...]. The colored filters that cover the glass plates also set the tone. They give an artificial appearance performances while accentuating their seductive effect. These color gradients, like a whim, pervert the images, veiling them with a twilight atmosphere, between reverie and erotic melancholy.
Thomas Fort - 2021 - "Vertigo" (excerpt)
GLASSES
2021, verre gravé et encré, film coloré, encadrement métal, 104,5 x 187 cm
2021, verre gravé et encré, film coloré, vidéo sur écran LED encadrement métal, 120 x 150 x 10 cm
2021, verre gravé et encré, film coloré, encadrement métal, 93 x 62 cm
2021, verre gravé et encré, film coloré, encadrement métal, 104,5 x 187 cm
2020, verre gravé et encré, encadrement métal, 101 x 62 cm
2020, verre gravé et encré, encadrement métal, 101 x 62 cm
2020, verre gravé et encré, encadrement métal, 101 x 62 cm
2020, verre gravé et encré, encadrement métal, 101 x 62 cm
Vue d'exposition - 2019, verres gravés et encrés, encadrement métal, 130 x 100 cm (x3)
2019, verre gravé et encré, encadrement métal, 130 x 100 cm
2019, verre gravé et encré, encadrement métal, 130 x 100 cm
Vue d'exposition - 2019, verres gravés et encrés, encadrement métal, 130 x 100 cm (x3)
2019, verres miroirs gravés et encrés, dimensions variables
2019, verre miroir gravé et encré, 11 x 11 cm
2019, verre miroir gravé et encré, 11 x 11 cm
2019, verres miroirs gravés et encrés, dimensions variables
2019, verre gravé et encré, encadrement métal, 130 x 130 cm
2019, verre gravé et encré, encadrement métal, 130 x 130 cm
2019, verre gravé et encré, encadrement métal, 130 x 130 cm
Untitled
2019, engraved and inked glass, metal frame, 30 x 240 cm. private collection
Vue d'exposition Infras - Galerie Isabelle Gounod
2019, verre gravé et encré, 20 x 15 cm, collection particulière
2019, verre gravé et encré, 9 x 7 cm, collection particulière
Vue d'exposition Infras - Galerie Isabelle Gounod
2017, verre gravé et encré, anneaux en métal, 280 x 300 x 150 cm
2017, verre gravé et encré, anneaux en métal, 280 x 300 x 150 cm
2017, verre gravé et encré, anneaux en métal, 280 x 300 x 150 cm
2017, verre gravé et encré, anneaux en métal, 280 x 300 x 150 cm
2017, miroirs gravés et encrés, sutructures en métal, dimensions variables
2017, miroirs gravés et encrés, sutructures en métal, dimensions variables
2017, miroirs gravés et encrés, sutructures en métal, dimensions variables
2017, miroirs gravés et encrés, sutructures en métal, dimensions variables
Process
2016, etched and inked glass, 100 x 216 cm (6 elements), private collection
2017, verre gravé et encré, 30 x 75 cm, collection particulière
2017, verre gravé et encré, 30 x 75 cm, collection particulière
2017, verre gravé et encré, 30 x 75 cm, collection particulière
2017, verre gravé et encré, 30 x 75 cm, collection particulière
2015, verre gravé et encré, structure en métal, 90 x 130 x 245 cm - vue d'exposition - Draw Art air 2019 - Saatchi Gallery
2015, verre gravé et encré, structure en métal, 90 x 130 x 245 cm
2015, verre gravé et encré, structure en métal, 90 x 130 x 245 cm
2015, verre gravé et encré, structure en métal, 90 x 130 x 245 cm - vue d'exposition - Draw Art air 2019 - Saatchi Gallery